Web Exclusives

Interview: Jeff Lindsay, author of Dexter

by Suzan Ryan on Sep.14, 2011, under Interviews

Before creating Dexter, you focused on writing plays and theatre direction. Do you hope to return to the stage?
Yes, constantly. I always throw it out in interviews in case someone with a theatre is listening. I’ve got a couple of plays I’ve been toying with for years, but I don’t have the time to do them right now. I love theatre; it’s the best of all worlds as far as I’m concerned. 

In our 2008 interview for Dexter in the Dark, you said you had problems getting the character to where you wanted him, and even considered killing him off. Two books later, has this changed?
Well, I had a couple of good books in between that made it relatively easy. It’s funny you should bring that up, though, because I find myself in the exact same spot again. Apparently, every three books I get this block. Maybe this time I’ll use a large hammer, and then Cody will take over the family business.

In Delicious, the birth of Dexter’s first child reveals glimpses of real emotion within the character. Was your decision to provide this evolvement a conscious one to humanise Dexter or just a personality facet of sociopaths?
Maybe both those things, but neither was conscious. I don’t sit down and plan things that ruthlessly. It was just what I was feeling when I started. I did plan to begin with him looking down at the birth of his child. I had plot points, but I had no idea about the tone until it started happening.

Do you have regular sources who advise you on the science in the books or do you go to different people according to plot direction?
I have a lot of sources in Miami, and others who do forensics for a living. I don’t really go into a lot of detail in the books because it’s just not interesting to me. Some people like it, I don’t. It’s background for me. I recently learned we’re using a different thing to test for trace blood and fingerprints; it’s a new chemical. That’s good to know. I need to know that, as Dexter uses it. But I don’t go into long lyrical sentences using the electro-spectro-diccolo-pack test machine. I don’t know and I don’t care.

 

The hit TV show Dexter has developed a different plot to your novels. Have the scriptwriters introduced any specific stories or twists that you like or dislike?
Rita’s a great example. I wasn’t happy they killed her off. I think [Julie Benz] is a terrific actress, a really nice person, and I hate to see anybody lose their job. On top of that, people are angry at me for killing Rita. I say to them, she’s still alive in the books! Occasionally they do stuff I never would. Sometimes it’s just because it’s TV, other times it’s a bunch of other writers wanting to put their own imprint on it. It doesn’t yank my chain in any way. It’s a different medium with different demands.

We understand you used to be a karate champion. What can you tell us about that?
I was at the black-belt level and I took a silver medal in the World Championships. The guy I was fighting for the gold was about six-foot-eight and very, very serious, a really hard person. I was a point-and-a-half ahead and was thinking it was easy; he was slower than anyone I’d ever faced.I went in for a side snap-kick and landed it perfectly. I heard a loud pop and crunch. I thought I’d got him, but when I landed on my foot I realised I’d got me.

I broke my foot in four places kicking this guy in the ribs. As I was standing there in shock, he did a sweep move that lifted me up and sent me flying out of the ring and into the bleachers. People think this is a punch line, but as I went back in, all I could hear in my head was, “New strategy, let the Wookie win”, and that made complete sense. I tried to give him small targets to get points so I could finish with the silver medal instead of being disqualified.

Have you ever thought about combining your passions into a stage musical about a sociopathic, serial-killing martial artist?
Actually, I believe I’m about 65 pages into something quite similar to that! I mean, why not?

Leave a Comment article tags: , , , , more...

Interview: Carla Cox

by Suzan Ryan on Sep.07, 2011, under Interviews

Hey Carla, we understand you speak multiple languages…
Yes, I was born in Brno in the Czech Republic but moved to Slovakia when I was young and grew up there, so I speak both languages. 

May we ask your age?
Sure! I’m 26, but last year I met two young, good-looking guys while I was on holiday in Greece. They were very kind and well-behaved, so we walked together. When they asked my age, I knew I would feel better lying a little,as I noticed they were both younger than me. I told them I was 22. The one boy’s face lit up because he was about that age, and he kept asking me to be his girlfriend because he had a crush on me. I still feel bad because I lied.

What do you think about relationships and the adult industry?
I think the girls in the industry appreciate love more than anyone else. When we have partners, we really commit to nurturing and properly devoting ourselves to them.

Do you have an active off-screen sex life?
I have a very inactive off-screen sex life. It’s kind of sad for a porn actress with a big—and growing—sexual appetite, but I don’t want to give my body to everyone. Maybe I’m too selective, but in my private life I can’t have sex with someone just because I’m horny and want to feel a dick in my juicy pussy. I need to feel something with the other person.

Fair enough. You’ll still drink with us, we hope. What’s your poison?
I am like The Terminator; you can infuse me with any kind of alcohol and I will stay alive. I love beer, but my favourite drinks are tequila or Jack Daniels with Fanta orange—I know it sounds strange, but try it! The best drink for long nights you want to remember is the Tom Collins, a cocktail that contains gin, soda and lemon juice. You get vitamin C from the lemon, soda for rehydration, and gin to really enjoy the drink. 

Okay, let’s run through a few hard and fast questions: What do men want?
A good blowjob.

What is your sexiest bad habit?
Letting my pubic hair grow long.

Is there anything that you would never do on camera?
I will not do anything that will make me feel uncomfortable or shy when the movie hits the shelves. For example, pissing: I love to do it with a partner, but I never want my mum to be able to watch a bunch of guys pee on my head.

Tell us something we would never guess about you.
I’m into sewing—making and customising my own clothes.

Can you summarise yourself in two short sentences, Carla?
I’m a devil that can behave. I’m an angel that can get crazy.

What’s on the horizon for you?

I’m hoping to get my website up and running by the end of the year. And I’ll be in Australia next month for AdultEx [Melbourne, April 14-17], where I will be meeting and greeting!

Is there anything you want to add before we wrap it up?
I’m really happy to be in Australian Penthouse, and I hope your readers enjoy my interview. I look forward to meeting my fans down-under and showing them love. Also, live life for yourself and not for others. Enjoy everything you do and give it 100 per cent. Hard work always pays.

Leave a Comment article tags: , , , more...

Interview: Millionaire Matchmaker

by Suzan Ryan on Aug.30, 2011, under Interviews

How would you describe people’s view of dating agencies in Australia, as opposed to in the US or UK?
In the US or UK, agencies have been around for a little bit longer, so I think there’s less of a stigma. And I can see that in the five years we’ve been operating the stigma is slowly starting to disappear. People are realising it’s just an effective, efficient way to go about meeting somebody—our agency is not about the desperate and dateless by any means; you have to be highly eligible to join.

What constitutes “eligible”?
Basically, the requirements for joining the agency are the standards our current members are looking for in others. We’re just the voice of who they want.

What exactly is involved in the matching process?
We do it the old-fashioned way; by getting to know someone. We spend time with them, trying to get an understanding of their personality, their energy levels, their interests, their lifestyle, their life experience… a whole range of things. From that, we get a fair assessment of who they are. Then we create a partner profile, and that allows us to run a search to see how many people we have on our books who would be compatible with that person. We make a long list based on their phone consultation, and then after I’ve got to know them better, I go back to that list and cut it. 

We understand your agency has outlasted many others. What do you think is the secret behind your success?
Basically, we have a really high calibre of applicants. They have so much compatibility with one another. I think our branding and marketing really attracts the right client. Also, we are very selective with who we take on. We don’t take just anybody and hope for the best, which I think is an approach that’s got other agencies into trouble in the past.

What do you do if there aren’t any potential matches?What do you do if there aren’t any potential matches?

We tell them we’ll touch base in a month or two. Everybody is at a different point in the dating game. Some people are in relationships, some are waiting for a date, some have just gone on a date. So people who were not available become available, and new people join the service who could end up being compatible. It’s constantly changing and evolving.

What’s the key to a good first date?
The key to a good first date, I think, is doing something a little bit fun, a little bit different. Something casual that can be extended if desired, but something a little bit out of the ordinary. Everyone does dinner or the drinks. I recently had a couple who went out on the gentleman’s speedboat on Sydney Harbour.And another couple had a 28-hour date. They met up for a drink, and then they drove down to the snow and went skiing for the day. I always tell my men that they should have the woman do most of the talking; they should be asking her a lot of questions and making her feel like the focus of the date. And another couple had a 28-hour date. They met up for a drink, and then they drove down to the snow and went skiing for the day. I always tell my men that they should have the woman do most of the talking; they should be asking her a lot of questions and making her feel like the focus of the date.  

Has the service led to any marriages?
Yes, we’ve had several marriages. The first one was a couple who had only been dating for five months. And we actually had our first baby born last August. That’s pretty special. What kind of women sign on for the service? Our women are professional; some are business owners. We have a lot of very savvy entrepreneurs across a range of dynamic and vibrant industries. A lot of our women are looking for men who are truly their equal—someone who is confident, charismatic and good-humoured; a gentleman who has been raised with old-fashioned values. The women are financially secure, so they’re not looking for somebody to support them by any means. They’re fit, athletic, well-groomed, stylish and attractive. The women we represent get approached constantly by men who want to go out with them, but they are selective about who they want to be with, and that’s why they join.

Leave a Comment article tags: , , , , more...

Interview: Randall Lane, author of Absolute Zeroes

by Suzan Ryan on Aug.16, 2011, under Interviews

 

No-one is better qualified to comment on the economic rises and falls of the previous decade than American journalist Randall Lane, whose stable of magazines—including Trader Monthly—celebrated the high flyers but ultimately cost him every cent he had. Lane documents the visionary ideas, eccentric personalities, back room deals, excesses and betrayals in his new book ‘The Zeroes: My Misadventures in the Decade Wall Street Went Insane’.

Have you recovered financially from the events in The Zeroes?
Ah, no. But, you know, my kids have food to eat, I’ve got a roof over my head and I’m happy to get up every day. Those are the main things. Certainly. And that’s the perspective I’ve gotten from reflecting on all of this. 

 

After taking so much personal responsibility for the losses incurred by your publications, how do you feel about the heads of other organisations getting off scot-free post-GFC?
That’s the problem with the financial system in the western world right now—there are too many people playing with other people’s money, and that’s where all of the risk-taking came from. I talk about the history of hedge funds in the book. In the old days, the managers co-invested.

So when a fund blew up, you knew whoever was managing it was doing his darndest to make it work; taking prudent risks and not reckless ones. He was right there, shoulder to shoulder. Those are people you can only admire—and if it does work out, you’re happy for them. But these bank chieftains are making giant bonuses and have very little ‘skin in the game’—or if they do have skin, it’s because they were granted stock options, they didn’t buy them. So they’re playing with house money. Of course it’s infuriating, and it’s also dangerous. And as it continues, I worry we haven’t learnt our lesson.

Could a magazine like Trader Monthly launch now?
No. We knew we were in trouble with the last issue of Trader Monthly, which had the cover line “What’s next?” and a dour-looking trader on a black background. The magazine had been go, go, go, then when things started to get choppy in the Autumn of 2008, we were a little bit restrained. Then absolutely everything that Trader Monthly was about, which was celebrating these guys as rock stars, fell apart. ‘Wall Street’ became two dirty words. Trader Monthly was sustained on advertising and suddenly the advertisers didn’t want to work with us because they couldn’t be seen advertising to that crowd. And that hasn’t gone away. So until Wall Street types are seen as the good guys again, a magazine like Trader Monthly doesn’t really work, and I don’t see that happening in the foreseeable future.

You give the example of BMW, who said they knew that ads in Trader Monthly sold cars but they just didn’t want to be associated with traders.
That was the day we knew we were in real trouble.

Do you think the magazine would still be around if you and your partners hadn’t tried to expand the stable with Dealmaker, Private Air, The Cigar Report, etc.?
Yes, it could have survived as an electronic newsletter and we could have kept some of the events going. There were aspects of it that, if we weren’t so leveraged, we could have still had a small business. But that was never the goal. We were of the time. Especially when Jim [Dunning] came on board and we started to feel the success, the idea was to do something monumental. And in the end, we paid the price for that. But I don’t think Trader Monthly as a magazine works anymore. It’s amazing how fast something can go from a vibrant product to a museum piece. They should put those magazines in a time capsule. In 50 years, people will pick them up and their mouths will be agape.

It was interesting reading how keen traders were to be on your cover—kinda like the glamour models who dream of being on ours. Did any big businessman try to buy his way into that coveted spot?
We were never offered bribes. It was more that we were lobbied—as I’m sure you guys are. Although I’d rather be in your position. Having some 40-year-old millionaire kissing your arse probably isn’t as good as being courted by an Australian beauty!

It’s amazing how many bullshitters and backstabbers you’re forced to deal with throughout the book. What about the good guys/gals—who do you still respect?
My partners, Magnus [Greaves] and Jim. I still talk to them and I still respect them. They put their money where their mouths were and they lost a lot.

They paid their debts.
Absolutely, and you can only respect that. There were a lot of stand-up people… It’s almost uncanny the correlation—the people who were willing to take risks with their own money were generally the ones who came out okay or at least with their integrity. The ones who were playing around with other people’s money… Either they made money and you kinda winced, or else they blew something up and you winced about that, too.

Did you suspect or were you warned that the credit crunch was coming?
Even in August 2008, when we were trying to do that social network, we had a venture capital firm value us at US$17 million. And in January 2008, we had the term sheet from Citigroup for $25 million. So we always knew we had a core asset that was worth something—we were never really worried that it was gonna all be worthless. But everything turned so negative so quickly, starting in September 2008, it was like a tornado came through the financial system. 

It happened to Lehman Brothers, where one day they’ve got a market cap in the billions and the next day they’re worthless. It happened at BusinessWeek, one of the biggest magazines. It was worth probably a billion dollars in 2007—literally—and it was given away to Bloomberg for a dollar. There were two perfect storms. The magazine industry was in free fall in 2008 because everyone had started pulling back the ads. And our core industry, Wall Street, was ‘cratering’ at the same time. So we’ve got these two awful vortexes converging and we were right in the middle of both. That was very scary.

 

We don’t want to focus solely on the bad times… so what’s your happiest memory from working on Trader Monthly and the other titles?
Launching new magazines is like giving birth. So the pride of doing that—launching things into the community and seeing the reaction. Especially when we were doing something nobody had done before. We were taking trade magazine audiences, B2B audiences, and giving them Conde Nast-level products. You’d see a look on people’s faces like, “What is this thing?” We blew them away on quality—that was always a big kick.
And by the end, when we had half a million people who we were reaching, we were able to do a lot of things for charity. We could send an email and raise thousands of dollars for charity. It was heady. Just the influence you had on such an audience. We tried to do good things with it… although there was that awful team from Extell. That still makes me insane.

They hijacked your charity boxing tournament, scored free publicity, made sales and never paid the charities what they’d promised.
They still haven’t paid. It’s disgusting.

With the benefit of hindsight, what would you change?
We could have done a lot of things differently. We shouldn’t have expanded so quickly. It seems obvious in retrospect, but those are the lessons you draw. That’s the core lesson: we should have been more cynical about ourselves.

What about the foreign versions of Trader Monthly—were they a mistake?
Dubai wasn’t a mistake because that was licensing, but we lost way over a million dollars on the UK operation, all told, because we wanted to own it. As you know, usually with outside markets, you do a licensing deal and the local company runs it and gives you some money, so it’s good for everybody. But in the UK, we actually paid Conde Nast to produce the magazine for us, and so we lost a lot of money as a result of being over-aggressive.

Is there a lesson to be learned by other publishers from the demise of your group of titles?
Yeah, don’t go into magazines! Unless you’re already there and in a strong position, it’s a very tough business right now. Web sites have their problems, too, but digital doesn’t have all of the paper and printing costs and the distribution. I mean, in 2008 we did US$12 million in revenue and we were still losing money! It’s very daunting economics and that’s the lesson for the magazine world.

And with web sites, your pages can’t be hijacked by an ex-baseball star…
People ask about that, and the thing about Lenny [Dykstra, who won the World Series in 1986 with the New York Mets] is that he was paying us. I always thought that was a crazy idea in terms of a business, but he had a model that he didn’t want to make money from the magazine—it was a marketing piece for him [and his financial advice].

So I got that. It was actually quite a good deal, because he was paying us to do what we were good at and we got a lot of residual benefit. In the end, after he didn’t pay us, he wound up jumping ship to American Express Publishing, and they were happy to take his money and steal him from us. He didn’t pay them, either, but I still think that, in theory, it was a good deal.

Because nobody knew he was going to turn against you.
What are you gonna do? It’s the classic confidence game. We ask him for 100 grand and he writes a cheque for 150. Then, later on down the line, he’s asking us to lend him money. It’s tough, though, when you’re dealing with a guy who’s a public figure, owns a giant house, flies around in private jets and is writing you cheques whenever you need, not to go down that path. It’s easy to regret it, but it was hard to resist. It would have been hard for most people to resist.

You now write for The Daily Beast (www.thedailybeast.com). Have you left print journals behind for good?
Never say for good, but right now I’m enjoying the immediacy of the web. The Daily Beast is fun because [editor in chief] Tina Brown has a magazine sensibility and we’re translating that into kind of a daily digital magazine. It’s fun to do something where we’re breaking new ground. I miss magazines, but I don’t miss
the magazine business.

In your opinion, is the behaviour of Wall Street any less insane these days?
It’s like an iceberg right now—it’s under the surface. That’s the scary part, and I end the book that way. A lot of the crazy bonuses are still happening. A lot of the behaviour hasn’t changed. A lot of the incentives to take risk have not been removed. You don’t see Wall Street spending as conspicuously or acting as arrogantly, but the institutional problems are still there. So that’s cause for all of us to be a little worried.

You mention Goldman Sachs telling its employees not to be ostentatious.
That’s right. And that was a real memo. That’s not fixing the problem. That’s putting a coat of paint on it. That’s worrisome. They’ve changed their public perception, but I’m not sure they’ve changed the drivers that caused the problem in the first place.

Have you got any more books planned?
Nothing in the pipeline, but this one was very cathartic. I enjoyed getting back to my roots—I’d forgotten how much fun it can be to write. Like most things, if you’re looking to do it, it’s not going to be very good. I was never looking to write this book. In fact, until everything imploded, the thought didn’t even cross my mind—then my mother told me I should write this stuff down. I’d started telling these stories and we were all realising, “My God, it’s an unbelievable cross-section of what went wrong during the decade.” Luckily, I had it all in email.

Was there anything you didn’t put into The Zeroes because you thought, “No-one will believe this”?
I’ve gotta say, for good or bad, I didn’t leave very much out. That’s why I had the book fact-checked. I actually hired a fact-checker out of my own pocket, who spent the better part of a month going over every email and every line in the book to verify its accuracy. Because even I, as I was re-reading it, couldn’t believe it all happened. But it did.

It’s like a dream.
It is. And it’s one of those dreams where, for most of it, you’re having a happy dream, and then you wake up in a sweat.

 

Leave a Comment article tags: , , , , , more...

Interview: Peter Travis, inventor of the Speedo

by Suzan Ryan on Jul.22, 2011, under Interviews

As a visionary in art and design, Peter Travis is one of Australia’s best kept secrets. But on the 50th anniversary of its invention, the Speedo remains Peter’s most famous creation….

Interview: Rob O’Brien / Photos: Hugh O’Brien
Where did your passion for fashion design come from?
At three-and-a-half years old, a woman next door taught me macramé, knotting… I made all sorts of things—bags, sandals. When I was older, I went to [Sydney store] Anthony Hortons and saw this loom there. I was fascinated by how things could go over and under in different ways. Instead of buying one with two frames, I bought one with eight—and became a compulsive creator. I made everything; I tried every craftunder the sun. My father died when I was 11… As a young boy, I used to walk from Balgowlah [between The Spit and Manly] to the Sydney Conservatorium for my piano lessons. 

What drove you into swimwear design?
I worked at Farmers, which was easily the most beautiful clothing store in Australia—where Myer is today. Grace Brothers brought them out. The background at Farmers gave me more fabric knowledge. I had wanted to leave to become a furniture designer. Everything I was passionate about was to do with shape and colour. I would have loved to have been a scientist or architect, but I was a nervous boy at school and my father’s death affected me terribly.

But you moved from dress design to electronics. How did that work out?
I designed TVs and radios—I was head designer at [electronics manufacturer] Phillips. But I found that so boring, because how many times can you redesign a television? I thought being an industrial designer would be fantastic, but it was like the opposite of design. It was awful and it offered very little creativity.

Is that when Speedo offered you the job?
I got offered the position of head designer at Jantzen, the biggest swimwear company in the world. I was
shocked, but accepted a counter offer from Speedo in the late 1950s—I’d worked with them before on their knitwear collection

 

 

 

Were Speedos intended to make such a dramatic public statement?
No. Speedo was a knitting mill—they only made knitted things. They had brought back from the States a Hawaiian shirt and boxer shorts and asked me to make a similar line. I told them that before I did anything I’d make a swimsuit you could actually swim in, because the traditional trunks obstructed between the thighs. You really couldn’t swim in them. You had to have something that started on the hips because of the way your body twists. You lift your legs and the cut can’t be any deeper than that at the side, and that’s for freedom of movement. I put support in, but a lot of guys cut the support out because it showed more off… That’s the truth of it. I was wise enough to know that in the country, they weren’t going to accept that original size to begin with, so I made them more fitted on the body and varied the depth—they were seven inches, five inches and two inches along the side—a slow conversion to what was the ultimate design. 

Did you expect cult status?
Well, it’s become a generic term for anything of that shape, so “Speedos” now means any brief of that sort. People who wear them are swimmers, and anyone has a right to wear that kind of thing—it’s not to be looked at. It wasn’t a fashion statement, it was something entirely practical. I thought that something that fitted the body would enhance the body, and it does.

And Tony Abbott?
He swims and he has a right to wear that. People who make those kinds of criticisms are being unfair.

But surely at the time Speedos were way beyond the realms of modesty?
When they were first worn on Bondi Beach, a beach inspector named Abe Laidlaw was rushing around measuring the sides of people’s costumes to ensure they were decent. He had several people arrested.

Did they do jail time?
No. The magistrate said they were okay because no pubic hair was showing.

 

 

 

Leave a Comment article tags: , , , more...

Interview: David Mason, French Foreign Legion soldier

by Suzan Ryan on Jul.12, 2011, under Interviews

Is Marching with the Devil the sort of cautionary tale you would have liked to read before joining the French Foreign Legion?
I think that would be fair to say. And coupled with the cautionary part, it’s a tale that lights up the shadows of myth and mystery about the Legion. 

It’s a factual account, thanks to the diary you kept during your service. Given the anti-intellectualism you encountered, was there resistance to your journal writing?
Yes, there was. In fact, a couple of times, French people called me the espion—the spy. I’d go, “Do you think I’d be doing this if I was a spy?” It’d be a bit blindingly obvious! But because the Legion was so anti-intellectual, they thought, “Well, what are you writing for? There’s no need to write anything.
Just follow orders, drink, use the camp brothel and get on with life.”

Did anyone ever try to take your diary?
No. Mind you, I used to keep things in fairly secure places.

Were there specific incidents you thought about not including?
There were situations where I was involved in the deaths of people that were of a particular nature that I didn’t believe it was helpful to include them. So there are things I didn’t include, yes.

Are you still in touch with many of your fellow Legionnaires?
I’m in touch with a few. There’s one in Sydney, another in Auckland and one who works on the north-west shelf of WA. They’re mates in the sense that they might ring up and say, “G’day. How ya going?” I met a Legionnaire when I was in Baghdad last year—it was pure chance and we just had that common ground.

So mateship is one positive that can come out of being in the Legion?
Yes.

Do you know whether the standard of training and leadership in the Legion has improved since you left in 1993?
According to my sources—and there’s a couple of guys still serving—my understanding is that no, it hasn’t. It goes back to the critical point that if you can’t attract and retain good people, they are gonna leave. If you’re a thoughtful kind of guy who wants a military-type life, you’ll look around and think, “Okay, where
are the good leaders? Where’s the good training? And where might I get some operational service?” Then there are much better options.

Were you tempted to stay to try to effect positive change yourself, or were the odds against doing so insurmountable?
I was offered the world to remain behind, but I thought, “Would the little amount I could conceivably change be worth the rest of my life?” And I worked it out and went, “Nup.”

You’ve clearly stated you don’t regret your five-year stint, but what about your career path within the Legion? Anything you’d change if you did it over?
Probably not. If I’d known more about the rapid-promotion route, I probably wouldn’t have taken it. I note that the Legion cut it out for a while because it failed so badly, but they’ve reinstituted it. Effectively, it kept me from being out on operation for another year. It was only after I finished it that I got posted
to Djibouti. But had I not done it, I would have gone into the parachute regiment and maybe gone to Chad.

Do you expect to receive any negative feedback from the Legion about Marching With The Devil?
Officially, no. I’ve never heard of the French government making any comment at all about what people say. Some of the guys I was with, around the corporal level, might have something to say, though. None of them have read it yet, but when they do, I expect a bit of flaming to go on. Some of them come off quite well, but some of them come off extremely poorly. And significantly, they don’t like to be told their training is rubbish.

At what point were you nearest to quitting?
Early on, when I was in the 4th Regiment, doing all of that training and just faking the numbers [fudging the training figures under orders]. That Redbach guy I mention in the book—I loathed him like I couldn’t begin to tell you. Having to be with people like that, I just thought, “I don’t need it.” What really kept me
there was the presumption that others knew what I was gonna do before I did. So those two corporals who kept telling me I was going to leave effectively kept me in. 

When did you feel closest to death?
Once was when I was sitting on top of a bloody fence with a spike through my leg. The other time the world slowed down was when an officer walked at me cocking his weapon. I could see what he was doing, couldn’t believe it in my own mind, and thought, “He’s about to shoot me in the head!”

And the mongrel didn’t even apologise when the bullet whizzed past you! Do you still yearn for adventure?
Of course I do! There was the camel trip [across Australia]. Then I tried to cross Lake Eyre on foot, got very badly bogged and nearly didn’t make it out of that. I was in Iraq for a year in 2009, and I did two tours there before that.

What’s your actual occupation these days?
I’m a public servant lawyer with the Department of Defence. When I was over in Iraq, I was a civilian advisor. Last year, I was advising on rule of law issues. The time before that, I was an advisor to the Iraqi Minister for Defence. And the time before that, to the Australian Commander in Iraq.

Have you ever run into the Legion in a professional capacity?
You know what? I haven’t. But if I get a chance to go to Afghanistan, then I will run into them because they’re over there.

Will your next book be about your east-west crossing of Australia by camel? Did you keep a diary on that trip?
Absolutely, I did. It will be a lot gentler and more reflective, and it’s more about the country and the people in it. I’m working on it right now and already have a draft done. It’s a real Australian story because no-one’s ever walked across the country on their own before—or east-west across the Simpson Desert. Until
me, I suppose… along with a few camels.

 

Leave a Comment article tags: , , more...

Interview: bank robber Anthony Prince

by Suzan Ryan on Jul.11, 2011, under Interviews

<
Hi, Anthony, how are you?
I’m good, thanks. I laughed when I heard I might be getting a call from you guys! 

Is Penthouse magazine popular in American prisons?
Funnily enough, Australian Penthouse was the first magazine Dad sent me! Full nudity is banned in the majority of prisons I was sent to, but in the first jail the rules were a bit more lenient and it was a big hit. I remember a couple of lads wanted to have a look and it came back with a few sticky pages! One issue of Australian Penthouse in prison is worth $100-$200, easy.

Did it take you long to settle back into life in Australia when you were deported from America in 2009?
It did take a bit of time. It was a strange period for me, those first six months after I was released. The people closest to me didn’t really know how to treat me. They didn’t know how much I’d changed and whether I was still a full-on, hardened criminal. I did all I could to show them I was still human and the same affectionate Anthony I’ve always been. Now I have wonderful friendships with a lot of people and I feel they see the real me again.

What are you doing now?
I’m a sales manager for a clothing company based in Byron Bay [northern New South Wales]. I coordinate reps in each state and also manage a couple of guys who work in the warehouse. It’s a great role in a growing company and I’m really enjoying it.

How do people react when you tell them who you are?I
Mates will always sting me about it, which is okay because mates are mates and you’ve got to expect that. I’ve definitely copped a fair bit from them! When I tell people who I am, the majority of responses are quite positive. I’m very grateful to live in such an amazing country, where people can appreciate the humorous
side to it.

Have you ever used your notoriety to pick up women?
No. I think it’s definitely helped if it’s been thrown into the conversation by a mate or something, but I don’t ever boast about it. 

Was it difficult to relive the experience while writing Bank Robbery for Beginners?
I got so much support while writing the book and I think I rehabilitated myself in a lot of different ways. Me and the people closest to me were able to put the whole thing to rest and move on. But it was quite difficult for some people, especially my parents, to read it and to know everything I endured.

What does Luke, your former partner in crime, think of the book?
He’s happy for me. We’re two very different people and he’s home safe and sound doing his own thing. We don’t talk a whole lot about the past. We catch up for a surf every now and then but just keep it light and easy. I can imagine it might be difficult for him to relive the ordeal, so I don’t expect him to read it.

What was the most important lesson that you learned in jail?
I learned not to be so selfish and to consider consequences and appreciate the feelings of others. Obviously that’s something I didn’t do. I was completely selfish in deciding to go ahead with robbing the bank. There were extreme repercussions on the bank tellers, on my beautiful family, on my girlfriend at the time, on my friends and all the people around me. There were very, very serious consequences, and I never considered them because I never thought I’d get caught. In my naïve mind, I thought I’d be in and out and off to Mexico.

In your opinion, what’s the biggest problem with the US prison system?
That’s an interesting question. I suppose one of the main things that stands out for me is the lack of rehabilitation. Personally, I was seeking to support myself through study and journal writing, but I’d have to fight to get the prisons to allow my text books and calculators and other study materials. They weren’t helping. If there was more education and it was mandatory for all prisoners to study and evolve, I think it would stop recidivism and help them when they got out. Everybody in there is just bored shitless and they get caught up in the politics of prison, such as racial segregation and that kind of bullshit.

What’s the best thing about being free?
Women! I have a beautiful girlfriend and being able to interact with females in any way makes me feel more human. The other benefit is nature; being in the bush or the ocean is what I used to long for more than anything.

Bank Robbery for Beginners by Anthony Prince
(RRP$34.99, Macmillan Australia) is available in bookstores now.

 

Leave a Comment article tags: , , , more...

Interview: Penthouse Pet of the Year 2006, Loretta Leigh

by Suzan Ryan on Jul.04, 2011, under Interviews

Can you give us a quick overview of your time as an Australian Penthouse Pet?
I was a four-time cover girl/centrefold between 2006 and 2008. I was crowned Pet of the Year in 2006, appearing frequently at events as an ambassador for Australian Penthouse. I was wined, dined, spoilt and literally kidnapped—for a feature article on kidnapping fantasies—by Australian Penthouse magazine.
So you enjoyed yourself, then?
My time as a Penthouse Pet was such a rich and unexpected experience. I loved working with the wonderful, fun-loving and creative staff and photographers. I loved meeting the Pets, who varied from adorable to sharply intelligent, to the occasional self-obsessed bimbo with delusions of grandeur! There will never be any regrets from my time in the industry. Being a Pet helped me to discover who I was and who I aspire to be.
What are you doing now?
I run my own personal-training business, subcontracting out of a large Brisbane gym. My business caters to women of all ages, and also to men and people in need of rehab for injuries.
My specialties are corrective movement, postural analysis, functional and core-strength training. I also teach yoga, BodyBalance and Zumba, and I’m Pilates-mat certified.
What prompted the move from Pet to PT?
It was a gradual one. I completed my initial qualifications and started teaching group fitness in 2007. During my eight-year career in the adult industry, I’d worked with a trainer weekly and done lots of yoga. The change in my body and mind was astounding, and I have no doubt the 11 national centrefolds and numerous feature articles I shot for almost every Australian adult magazine were secured by a fit body honed with weight training. Fitness was an obvious choice. I wanted to share with other women the power of becoming stronger. I wanted to challenge the mentality of “I could never have a body like that”. Often, personal trainers don’t cater their programs to suit the female body efficiently. Practising yoga from a very early age gave me a different perspective on weight training. I train my clients to have impeccable posture, an efficient core and a strong pelvic floor. 
How was the transition?
Quite difficult for the first six months. From sleeping until 10am every day, I was suddenly up before sunrise to open the gym at 5:15. When my body clock was adjusting, I would frequently burst into tears from fatigue and fall asleep on any horizontal surface! I found my feet eventually, though, upgrading my certifications regularly to incorporate spinal care, rehab and muscle-loosening procedures. Despite kissing stilettos and evening gowns goodbye, I’ve been recognised quite often by the men in the gym from my centrefolds. My 24 coworkers—19 of whom are male— find the contrast amusing… as do the handful of clients who know.
What do you miss about being a professional model?
I miss the lack of responsibility and
the huge amount of spare time I used to have. Modelling made me aware of my physicality and built my confidence considerably. I make almost the same amount of money as I used to, but now I work 40-50 hours per week, when I used to work about 20, including travel!
Is there any chance you’ll come back to us?
A comeback to the centrefold world is unlikely at this point, but I would definitely consider a cameo or two. I’ve always said I’d like todo a shoot when I turn 30, because I know how my body will look by then after more than a decade of weight training! 
Tell us about Blazing Fantasy…
Blazing Fantasy is an ongoing adult cartoon project featuring sexual superhero Ophelia Jones. I’m the body and face model for Ophelia. The project is incredibly exciting and quite some time in the making. Details are under wraps, but Ophelia will make herself well known when illustration work is completed.

 

Leave a Comment article tags: , , , more...

ONE ON ONE: Stoya

by Meg on Feb.16, 2011, under Interviews

TOP GUNNER

Digital Playground star Stoya on double-penetration, her role in new hardcore spoof Top Guns, and the ‘perversion fairy’
Continue reading “ONE ON ONE: Stoya” »

6 Comments article tags: , , , , more...

Interview: Kevin Bloody Wilson, comedian

by Meg on Dec.17, 2010, under Interviews, Interviews, Web Exclusives

Hello, Kevin. For the uninitiated, please describe what you do?

I’m just a bawdy balladeer. Continue reading “Interview: Kevin Bloody Wilson, comedian” »

1 Comment article tags: , , more...

Looking for something?

Click here to go to our search page

Visit our friends!

A few highly recommended friends...