Tag: books


Interview: Randall Lane, author of Absolute Zeroes

by Suzan Ryan on Aug.16, 2011, under Interviews

 

No-one is better qualified to comment on the economic rises and falls of the previous decade than American journalist Randall Lane, whose stable of magazines—including Trader Monthly—celebrated the high flyers but ultimately cost him every cent he had. Lane documents the visionary ideas, eccentric personalities, back room deals, excesses and betrayals in his new book ‘The Zeroes: My Misadventures in the Decade Wall Street Went Insane’.

Have you recovered financially from the events in The Zeroes?
Ah, no. But, you know, my kids have food to eat, I’ve got a roof over my head and I’m happy to get up every day. Those are the main things. Certainly. And that’s the perspective I’ve gotten from reflecting on all of this. 

 

After taking so much personal responsibility for the losses incurred by your publications, how do you feel about the heads of other organisations getting off scot-free post-GFC?
That’s the problem with the financial system in the western world right now—there are too many people playing with other people’s money, and that’s where all of the risk-taking came from. I talk about the history of hedge funds in the book. In the old days, the managers co-invested.

So when a fund blew up, you knew whoever was managing it was doing his darndest to make it work; taking prudent risks and not reckless ones. He was right there, shoulder to shoulder. Those are people you can only admire—and if it does work out, you’re happy for them. But these bank chieftains are making giant bonuses and have very little ‘skin in the game’—or if they do have skin, it’s because they were granted stock options, they didn’t buy them. So they’re playing with house money. Of course it’s infuriating, and it’s also dangerous. And as it continues, I worry we haven’t learnt our lesson.

Could a magazine like Trader Monthly launch now?
No. We knew we were in trouble with the last issue of Trader Monthly, which had the cover line “What’s next?” and a dour-looking trader on a black background. The magazine had been go, go, go, then when things started to get choppy in the Autumn of 2008, we were a little bit restrained. Then absolutely everything that Trader Monthly was about, which was celebrating these guys as rock stars, fell apart. ‘Wall Street’ became two dirty words. Trader Monthly was sustained on advertising and suddenly the advertisers didn’t want to work with us because they couldn’t be seen advertising to that crowd. And that hasn’t gone away. So until Wall Street types are seen as the good guys again, a magazine like Trader Monthly doesn’t really work, and I don’t see that happening in the foreseeable future.

You give the example of BMW, who said they knew that ads in Trader Monthly sold cars but they just didn’t want to be associated with traders.
That was the day we knew we were in real trouble.

Do you think the magazine would still be around if you and your partners hadn’t tried to expand the stable with Dealmaker, Private Air, The Cigar Report, etc.?
Yes, it could have survived as an electronic newsletter and we could have kept some of the events going. There were aspects of it that, if we weren’t so leveraged, we could have still had a small business. But that was never the goal. We were of the time. Especially when Jim [Dunning] came on board and we started to feel the success, the idea was to do something monumental. And in the end, we paid the price for that. But I don’t think Trader Monthly as a magazine works anymore. It’s amazing how fast something can go from a vibrant product to a museum piece. They should put those magazines in a time capsule. In 50 years, people will pick them up and their mouths will be agape.

It was interesting reading how keen traders were to be on your cover—kinda like the glamour models who dream of being on ours. Did any big businessman try to buy his way into that coveted spot?
We were never offered bribes. It was more that we were lobbied—as I’m sure you guys are. Although I’d rather be in your position. Having some 40-year-old millionaire kissing your arse probably isn’t as good as being courted by an Australian beauty!

It’s amazing how many bullshitters and backstabbers you’re forced to deal with throughout the book. What about the good guys/gals—who do you still respect?
My partners, Magnus [Greaves] and Jim. I still talk to them and I still respect them. They put their money where their mouths were and they lost a lot.

They paid their debts.
Absolutely, and you can only respect that. There were a lot of stand-up people… It’s almost uncanny the correlation—the people who were willing to take risks with their own money were generally the ones who came out okay or at least with their integrity. The ones who were playing around with other people’s money… Either they made money and you kinda winced, or else they blew something up and you winced about that, too.

Did you suspect or were you warned that the credit crunch was coming?
Even in August 2008, when we were trying to do that social network, we had a venture capital firm value us at US$17 million. And in January 2008, we had the term sheet from Citigroup for $25 million. So we always knew we had a core asset that was worth something—we were never really worried that it was gonna all be worthless. But everything turned so negative so quickly, starting in September 2008, it was like a tornado came through the financial system. 

It happened to Lehman Brothers, where one day they’ve got a market cap in the billions and the next day they’re worthless. It happened at BusinessWeek, one of the biggest magazines. It was worth probably a billion dollars in 2007—literally—and it was given away to Bloomberg for a dollar. There were two perfect storms. The magazine industry was in free fall in 2008 because everyone had started pulling back the ads. And our core industry, Wall Street, was ‘cratering’ at the same time. So we’ve got these two awful vortexes converging and we were right in the middle of both. That was very scary.

 

We don’t want to focus solely on the bad times… so what’s your happiest memory from working on Trader Monthly and the other titles?
Launching new magazines is like giving birth. So the pride of doing that—launching things into the community and seeing the reaction. Especially when we were doing something nobody had done before. We were taking trade magazine audiences, B2B audiences, and giving them Conde Nast-level products. You’d see a look on people’s faces like, “What is this thing?” We blew them away on quality—that was always a big kick.
And by the end, when we had half a million people who we were reaching, we were able to do a lot of things for charity. We could send an email and raise thousands of dollars for charity. It was heady. Just the influence you had on such an audience. We tried to do good things with it… although there was that awful team from Extell. That still makes me insane.

They hijacked your charity boxing tournament, scored free publicity, made sales and never paid the charities what they’d promised.
They still haven’t paid. It’s disgusting.

With the benefit of hindsight, what would you change?
We could have done a lot of things differently. We shouldn’t have expanded so quickly. It seems obvious in retrospect, but those are the lessons you draw. That’s the core lesson: we should have been more cynical about ourselves.

What about the foreign versions of Trader Monthly—were they a mistake?
Dubai wasn’t a mistake because that was licensing, but we lost way over a million dollars on the UK operation, all told, because we wanted to own it. As you know, usually with outside markets, you do a licensing deal and the local company runs it and gives you some money, so it’s good for everybody. But in the UK, we actually paid Conde Nast to produce the magazine for us, and so we lost a lot of money as a result of being over-aggressive.

Is there a lesson to be learned by other publishers from the demise of your group of titles?
Yeah, don’t go into magazines! Unless you’re already there and in a strong position, it’s a very tough business right now. Web sites have their problems, too, but digital doesn’t have all of the paper and printing costs and the distribution. I mean, in 2008 we did US$12 million in revenue and we were still losing money! It’s very daunting economics and that’s the lesson for the magazine world.

And with web sites, your pages can’t be hijacked by an ex-baseball star…
People ask about that, and the thing about Lenny [Dykstra, who won the World Series in 1986 with the New York Mets] is that he was paying us. I always thought that was a crazy idea in terms of a business, but he had a model that he didn’t want to make money from the magazine—it was a marketing piece for him [and his financial advice].

So I got that. It was actually quite a good deal, because he was paying us to do what we were good at and we got a lot of residual benefit. In the end, after he didn’t pay us, he wound up jumping ship to American Express Publishing, and they were happy to take his money and steal him from us. He didn’t pay them, either, but I still think that, in theory, it was a good deal.

Because nobody knew he was going to turn against you.
What are you gonna do? It’s the classic confidence game. We ask him for 100 grand and he writes a cheque for 150. Then, later on down the line, he’s asking us to lend him money. It’s tough, though, when you’re dealing with a guy who’s a public figure, owns a giant house, flies around in private jets and is writing you cheques whenever you need, not to go down that path. It’s easy to regret it, but it was hard to resist. It would have been hard for most people to resist.

You now write for The Daily Beast (www.thedailybeast.com). Have you left print journals behind for good?
Never say for good, but right now I’m enjoying the immediacy of the web. The Daily Beast is fun because [editor in chief] Tina Brown has a magazine sensibility and we’re translating that into kind of a daily digital magazine. It’s fun to do something where we’re breaking new ground. I miss magazines, but I don’t miss
the magazine business.

In your opinion, is the behaviour of Wall Street any less insane these days?
It’s like an iceberg right now—it’s under the surface. That’s the scary part, and I end the book that way. A lot of the crazy bonuses are still happening. A lot of the behaviour hasn’t changed. A lot of the incentives to take risk have not been removed. You don’t see Wall Street spending as conspicuously or acting as arrogantly, but the institutional problems are still there. So that’s cause for all of us to be a little worried.

You mention Goldman Sachs telling its employees not to be ostentatious.
That’s right. And that was a real memo. That’s not fixing the problem. That’s putting a coat of paint on it. That’s worrisome. They’ve changed their public perception, but I’m not sure they’ve changed the drivers that caused the problem in the first place.

Have you got any more books planned?
Nothing in the pipeline, but this one was very cathartic. I enjoyed getting back to my roots—I’d forgotten how much fun it can be to write. Like most things, if you’re looking to do it, it’s not going to be very good. I was never looking to write this book. In fact, until everything imploded, the thought didn’t even cross my mind—then my mother told me I should write this stuff down. I’d started telling these stories and we were all realising, “My God, it’s an unbelievable cross-section of what went wrong during the decade.” Luckily, I had it all in email.

Was there anything you didn’t put into The Zeroes because you thought, “No-one will believe this”?
I’ve gotta say, for good or bad, I didn’t leave very much out. That’s why I had the book fact-checked. I actually hired a fact-checker out of my own pocket, who spent the better part of a month going over every email and every line in the book to verify its accuracy. Because even I, as I was re-reading it, couldn’t believe it all happened. But it did.

It’s like a dream.
It is. And it’s one of those dreams where, for most of it, you’re having a happy dream, and then you wake up in a sweat.

 

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Interview: bank robber Anthony Prince

by Suzan Ryan on Jul.11, 2011, under Interviews

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Hi, Anthony, how are you?
I’m good, thanks. I laughed when I heard I might be getting a call from you guys! 

Is Penthouse magazine popular in American prisons?
Funnily enough, Australian Penthouse was the first magazine Dad sent me! Full nudity is banned in the majority of prisons I was sent to, but in the first jail the rules were a bit more lenient and it was a big hit. I remember a couple of lads wanted to have a look and it came back with a few sticky pages! One issue of Australian Penthouse in prison is worth $100-$200, easy.

Did it take you long to settle back into life in Australia when you were deported from America in 2009?
It did take a bit of time. It was a strange period for me, those first six months after I was released. The people closest to me didn’t really know how to treat me. They didn’t know how much I’d changed and whether I was still a full-on, hardened criminal. I did all I could to show them I was still human and the same affectionate Anthony I’ve always been. Now I have wonderful friendships with a lot of people and I feel they see the real me again.

What are you doing now?
I’m a sales manager for a clothing company based in Byron Bay [northern New South Wales]. I coordinate reps in each state and also manage a couple of guys who work in the warehouse. It’s a great role in a growing company and I’m really enjoying it.

How do people react when you tell them who you are?I
Mates will always sting me about it, which is okay because mates are mates and you’ve got to expect that. I’ve definitely copped a fair bit from them! When I tell people who I am, the majority of responses are quite positive. I’m very grateful to live in such an amazing country, where people can appreciate the humorous
side to it.

Have you ever used your notoriety to pick up women?
No. I think it’s definitely helped if it’s been thrown into the conversation by a mate or something, but I don’t ever boast about it. 

Was it difficult to relive the experience while writing Bank Robbery for Beginners?
I got so much support while writing the book and I think I rehabilitated myself in a lot of different ways. Me and the people closest to me were able to put the whole thing to rest and move on. But it was quite difficult for some people, especially my parents, to read it and to know everything I endured.

What does Luke, your former partner in crime, think of the book?
He’s happy for me. We’re two very different people and he’s home safe and sound doing his own thing. We don’t talk a whole lot about the past. We catch up for a surf every now and then but just keep it light and easy. I can imagine it might be difficult for him to relive the ordeal, so I don’t expect him to read it.

What was the most important lesson that you learned in jail?
I learned not to be so selfish and to consider consequences and appreciate the feelings of others. Obviously that’s something I didn’t do. I was completely selfish in deciding to go ahead with robbing the bank. There were extreme repercussions on the bank tellers, on my beautiful family, on my girlfriend at the time, on my friends and all the people around me. There were very, very serious consequences, and I never considered them because I never thought I’d get caught. In my naïve mind, I thought I’d be in and out and off to Mexico.

In your opinion, what’s the biggest problem with the US prison system?
That’s an interesting question. I suppose one of the main things that stands out for me is the lack of rehabilitation. Personally, I was seeking to support myself through study and journal writing, but I’d have to fight to get the prisons to allow my text books and calculators and other study materials. They weren’t helping. If there was more education and it was mandatory for all prisoners to study and evolve, I think it would stop recidivism and help them when they got out. Everybody in there is just bored shitless and they get caught up in the politics of prison, such as racial segregation and that kind of bullshit.

What’s the best thing about being free?
Women! I have a beautiful girlfriend and being able to interact with females in any way makes me feel more human. The other benefit is nature; being in the bush or the ocean is what I used to long for more than anything.

Bank Robbery for Beginners by Anthony Prince
(RRP$34.99, Macmillan Australia) is available in bookstores now.

 

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Interview: Jake Adelstein, author of Tokyo Vice

by admin on Sep.15, 2010, under Interviews, Web Exclusives

MISTER VICE GUY

Model: Lu Nagata (aerial arts instructor). Photo: Anna Przeplasko

Back in July, we published a review of the excellent Tokyo Vice, Jake Adelstein’s memoir of his time as a crime reporter—and very much an outsider—on Japan’s Yomiuri Shimbun newspaper. Recently, we were fortunate enough to be able to speak to Jake and ask him some follow-up questions…

Would it be more or less difficult now for a Westerner to break into Japanese crime reporting?

It’d be harder because I touched on so many taboos that I think people there would look at hiring another Westerner as a potential lightning rod for controversy and trouble. It wasn’t my intention to make it more difficult. There were things I wrote about in Tokyo Vice that I thought were obvious, but they were such taboos that no Japanese publisher will touch the thing.

If you could go back in time, is there anything you’d do differently?

Yes. I wouldn’t have asked Helena to look into that [Yakuza] front company. I wouldn’t have even mentioned it to her. Part of being a good reporter is knowing the limitations of your assets. Hindsight is 20/20, but I realise, looking back, that she wasn’t very stable, and it was a bad idea to ask her—even though she wanted to help. She was capable, but she had a lot of emotional turmoil in her life, and she had a drug problem as well. I should have picked up on that.

Have the sorts of crimes taking place in Japan changed much?

Let me say something nice about the Japanese government—they’ve done a wonderful job of cracking down on human trafficking since the book came out. They’re much better at enforcing the laws, and the flow of foreign women into Japan to be exploited in the sex industry has definitely diminished. Other than that, crime remains what it always was, although the Yakuza have moved into much more white-collar crime—massive fraud, stock-market manipulation, venture capital. Areas where you usually didn’t see them before.

Is it dangerous these days for, say, Australian girls to get work as hostesses in Tokyo?

You cannot be a hostess in Japan on a working visa. So not only is it a potentially dangerous thing to do, it’s also illegal. If they raid the club where an Australian girl is working, there’s a good chance that her holiday will be terminated and she’ll be forcibly repatriated on her own dollar. However, if it was an “English conversation salon”, which is a thinly disguised hostess club where women sit and chat with the customers in English, that might be okay. And not that I want to encourage Australian girls to break the law, but technically you have to repeatedly engage in this work to violate your visa. So if you are an illegal hostess and the police do raid your club, I suggest telling them that you only started working there that day, and insist upon that. In Japan, you can be held in custody for up to 23 days, with no access to a lawyer, so it’s a long time to have to stick to your story. But if you deny, deny, deny, they will be unlikely to prosecute you. But the smartest thing is: if you go to Japan, don’t work as a hostess. There’s always the risk of going home with the wrong customer and not coming back. And when a girl vanishes on an outside date, I can guarantee you that the hostess club will not talk to the police.

And yet we still hear strippers talk about going over…

Classically, when strippers go over, they arrange a fake marriage, which costs about $3000 on the black market. Once you’re a Japanese spouse living in Japan, even while that’s pending, you can pretty much do any job you want. I’m not advocating that—it’s still a crime; it’s a fake marriage.

How about a dude who wanted to go over and be a host—would he find the situation any different?

That would also be illegal. Host clubs, like hostess clubs, are adult entertainment venues. However, there are these weird places called butler bars where men serve women tea and coffee, and sometimes even feed them with a spoon, while dressed as English butlers. The pay can be good, but the job is apparently really horrible.

What can you tell us about the scandal happening in the world of sumo?

Recently, there’s been a huge scandal about the fact that many of Japan’s sumo wrestlers and officials were placing bets on baseball with a bookie operation run by the Yamaguchi-gumi [the largest Yakuza group]. What isn’t reported in the papers is that the lawyer who was placed on the Sumo Association to clean up the committee is allegedly closely tied to the Yakuza and, in the past, was on the board of what was exposed as one of their front companies. It kinda makes you wonder how serious they are about cleaning up their operations.

Where do you see that case ending up?

I think they’ll arrest a couple of members of the Yamaguchi-gumi and maybe some sumo wrestlers for gambling. For the Yakuza, there’s a small amount to be made on baseball betting, by taking a percentage from the wagers. But the real money is made by getting sumo wrestlers heavily in debt from this, then having them throw a match on which you’re betting. But if the police pursue it to that logical conclusion, then everyone is going to lose faith and interest in sumo. As a matter of fact, a senator in the ruling party has had a secret meeting with one of the Sumo Association chairmen, so it looks like the fix is in.

Do you think sumo is a dying art?

It’s losing a lot of popularity because many of the wrestlers who are now on top are foreigners. Japan is a fairly xenophobic country and without a home-grown sumo winning, people lose interest. Sumo is also old, it’s not flashy and there’s no cute, young Japanese sumo wrestler who other young people can identify with. Honestly, if you remove the Yakuza presence from sumo, I think it will seriously suffer because the base pay is horrible and many wrestlers are subsisting on handouts given to them by their Yakuza sponsors (who are often from the same home town). So unless they completely nationalise the sport and do it on tax-payer money, removing the Yakuza will cause many people to quit and may be the ruin of sumo. It’s ironic, but that’s the reality.

On that note, is it true traditional Yakuza tattoos are disappearing because the members no longer want to be easily identified?

Yes, it is. One of the brightest Yakuza I know has no tattoos or missing fingers. And a former college classmate of mine, who left a very lucrative job to go and work for them, he also has no tattoos or missing fingers. Those things aren’t an asset anymore. Nowadays, if you screw up, you pay a huge amount of money—and if you can’t afford to pay, you just vanish. Occasionally, you’ll still have an old-school yakuza tell an underling, “Chop off your finger and bring it in atonement,” but that’s pretty rare.

We love your idea of getting real Yakuza members to review the videogame Yakuza 3 (for boingboing.net). Was it hard to arrange?

You’re Penthouse magazine, so I can tell you the story. One of the reviewers was very reluctant to do it, but he made me an offer. In a roundabout way, he said he’d review the game if I did him a favour, which was to have sex with his girlfriend while he watched, because that really got him off. I’m not gonna say what my reply was, but we worked out a compromise and he did help with the review.

Tokyo Vice was an absolute page-turner. Any plans for a follow-up?

I have two books under way. The first is going to be called The Last Yakuza. It’s the biography of my bodyguard and driver, who was a Yakuza member for 25 years and a boss for 10-15 years. He’s an incredible guy with a fascinating story. His mother is actually a Japanese American who came back to Japan rather than be put in an internment camp [during WW2]. He wants me to write it as a testimony for his son—because he’s actually very proud of being a Yakuza—so I’m going to try to tell the past 30 years of Yazuka history along with it. The second one is more obscure. Called The Nine-Fingered Economy, it’s about how the Yakuza went from being gamblers and drug-runners to the “Goldman Sachs with guns” model that they are now.

When can we expect The Last Yakuza?

I’ve got about three chapters to go. I think it’ll take me another year to complete it. I’m talking to cops who arrested him in the past, his mother, his father… Obviously, I could just speak to him, but it’s more interesting to talk to other people who know him, both inside the organisation and out. The agreement that I’ve made—and he didn’t ask for it—is I’m giving him half of whatever royalties there are for the book, and hopefully that’ll be a nice retirement plan for him.

Tokyo Vice by Jake Adelstein, Scribe Publications (www.scribepublications.com.au), RRP$35.00.

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WINNERS! “Who Said That First?” Books

by Cameron Murray on May.18, 2010, under Past Winners

WINNERS

K. Leonard, Dayboro, Qld,
M. Garcia, Kingsmeadows, Tas
A. Wilton, Lawson, NSW
D. Ozelis, Wantirna South, Vic
R. Lichacz, St Ives, NSW

Thanks to our friends at Exisle Publishing (www.exislepublishing.com), we have FIVE copies of Who Said That First? The Curious Origins of Common Words and Phrases to give away.

Compiled by Max Cryer, this fascinating glossary details the colourful history of some of the English language’s most popular and enduring expressions, from ‘A-OK’ (attributed to American astronaut Alan Shepard) to ‘Let Sleeping Dogs Lie’ (Geoffrey Chaucer, c.1374) and ‘Wham Bam, Thank You Ma’am’ (WWII term that became a Dean Martin song in 1950). Believe it or not, books like this are few and far between, so get your entry in now!

Simply answer the question below, add your name, email and postal address, and click ‘Enter the competition’.

[form 113 "WIN! \"Who Said That First?\" Books"]

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WINNERS: Tour de France book ‘What A Ride’

by Cameron Murray on Mar.05, 2010, under Past Winners

WINNERS!

H. Leek, Frankston, Vic
P. Wyatt, Worongary, Qld
M. Lena, Kedron, Qld
G. Egan, Culburra Beach NSW
M. Stanton, Highvale, Qld

—————————————————————————————————————-

For 22 years, Sydney Morning Herald sports journalist Rupert Guinness has covered the legendary Tour de France cycling race. There’s nothing Guinness doesn’t know about the gruelling event, and now he’s released What A Ride, a fantastic new book focusing on the elite group of Australian athletes who have competed in the great race.
Continue reading “WINNERS: Tour de France book ‘What A Ride’” »

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Reviews – Books: The Absolute Sandman: Volume Three by Neil Gaiman

by Suzan Ryan on Jul.29, 2009, under Reviews, Web Exclusives

The Absolute Sandman: Volume Three

The Absolute Sandman: Volume Three

The Absolute Sandman: Volume Three
Written by Neil Gaiman / Cover by Dave McKean
Vertigo

An involving and rewarding effort from the master of surrealist fantasy graphic novels.

It is difficult to find fault with such an iconic and perfectly presented book, other than to say that Volume Three is more a bridging-middle to the series than the snap-crackle-pop introductory story arcs of the two preceding books. Naturally, it’s wise to begin your Gaiman journey with Volume One, as these are not the kind of books you just pick up and start reading from any point; the stories are deep, broad and complex—written for adults who prefer to delve into the depths instead of the shallows, with themes of morality, mythology, life after death, faith and love.

Volume Three’s major story arc is ‘Brief Lives’ (it also features the single-issue prequel ‘Song of Orpheus’), the plot focuses on The Sandman’s sister, Delirium, and her quest to find their missing brother, Destruction.  Accompanied by Dream (who carries a hidden-agenda), the pair embark on a fruitless search that throws up more questions than answers—especially between The Sandman and his son, Orpheus.

‘World’s End’, travellers’ stories about how the duo became moored at the Inn at Worlds End, provides a welcome and interesting divergence. The book also features several single-issue stories, including the acclaimed ‘Ramadan’: the story of a boy-king of ancient Baghdad and the deal he brokers with The Sandman to grant his city immortality—featuring stunning illustrations by P. Craig Russell (The Jungle Book); and ‘A Parliament of Rooks’, a prequel that examines the childhood lives of Dream and Death.

First-time bonus features include: pin-up pages from galleries in The Sandman #50 and Sandman Special #1; the ‘Desire’ story from Vertigo: Winter’s Edge #3; The Endless Gallery #1; script and thumbnails from The Sandman #50, a section on Endless products (such as poster, statues, t-shirts and more); plus an introduction by artist, Jill Thompson.

This beautifully bound book of more than 600 pages is presented in a sturdy, illustrated hardcover slipcase.

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