Tag: interviews

Interview: Bare Essentials

by Suzan Ryan on May.01, 2013, under Interviews, The Magazine

Who or what inspired you to write this rather candid book?
There’s a 1965 novel called In Praise of Older Women by Stephen Vizinczey, about a man reminiscing about some of the women he’d slept with many years before. It was a book, ultimately, about love, and love was a subject I was deeply interested in. 

Is that what Laid Bare is about?
That’s essentially what Laid Bare is about. It’s not about sex; it’s a book about trying to figure out what love is and where to find it, and how to make it last. It started out as an article I wrote for marie claire magazine about how it feels when your wife leaves. I got a lot of letters from women around Australia thanking me for writing a candid story from the male perspective on how difficult divorce is.

How tough was it for you to actually write the book?
I took the approach that if you’re going to write a memoir, you have to write it as authentically as possible. My dark personal moments were very much a part of that story. It’s important that people understand that men—though outwardly we may appear to have no emotions at all—are actually deeply emotional, as much as any woman. We just very rarely show it.

How common is your experience among other men?
I found that my situation wasn’t that uncommon and there were a lot of guys suffering in silence and not really having anyone to talk to about what they were going through internally. I felt that it was important for me to show that it’s okay to be vulnerable and to break down and have emotions. I think it’s really important that men also be more open about the times when they are struggling, particularly with mental illness.

Mental illness?
A lot of guys I know are going through similar sorts of things to what I went through, particularly with anxiety and depression and even OCD [Obsessive Compulsive Disorder].

You mention OCD in Laid Bare. What was your particular subset?
My subset of OCD is called ‘Pure-O’, which is short for ‘Pure Obsessional Obsessive Compulsive Disorder’. Essentially, what was happening is I would be getting intrusive and disturbing thoughts at the most inappropriate times. It’s not something you can really understand. It’s brought about by anxiety. I think OCD is an incredibly misunderstood disorder.

How so?
In the media, the impression we get of it is crazy people washing their hands 50 times a day, but it’s much more than that. The thing that most don’t understand is that people are driven to these sorts of compulsive behaviours because they’re trying to shut out thoughts and images coming into their head that they don’t want. People are killing themselves because of OCD because they don’t know who to talk to about it.

How did you deal with it?
I didn’t understand why these things were happening to me. I was just trying to get on with my life, but I was being assailed 24/7 with obsessions. A lot of the sex that I was involved with was a way of trying to escape what was happening to me. 

On the topic of sex, what kind of dating websites were you signed up to?
I never went on an adult personals site that was strictly geared for sex. I put a profile on one of the adult sites here in Australia, just to see what the deal was, but it didn’t strike me as something that was for me. I met most of the women I dated through more traditional online dating sites, such as RSVP.com.au.

In your experience, was RSVP more geared towards relationships or sex?
People are saying they want relationships, but it’s a meat market. If you’re in good shape, have decent looks and a bit of money, it’s very easy to fall into the player lifestyle by putting yourself online. And it’s not just men, it’s women as well. I found myself getting hundreds of emails from very desirable women. All of a sudden, it’s like being in an American supermarket where you’re overburdened with choice.

So these women were chasing you?
Oh, much more so than I was approaching them. I was frankly surprised because the woman I was deeply in love with—my ex-wife—didn’t want a bar of me. But I put myself online and hundreds of women were sending me emails and they all looked bloody fantastic. It’s great for your ego, but it’s not necessarily good for settling on one person because I think men go on there and become rock stars. We get a bit carried away with the attention. That’s certainly what happened to me.

What is the perfect middle ground for online dating?
To be honest, I have met a lot of women through online dating who have become very good friends of mine. I think online dating is fantastic for making friends, for networking, for building your social circle; I just don’t necessarily think it’s fantastic for relationships.

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Interview: James Deen

by Suzan Ryan on Mar.25, 2013, under Interviews, The Magazine

Why did you choose the stage name James Deen?
James Deen came from a nickname I had when I was younger. I wore a leather jacket a lot and would cross the street from school and smoke cigarettes while leaning up against this fence. People started to call me James Dean. The nickname followed me wherever I went. When it came time to choose a stage name, I went through every combination of JD something or something Dean or Dean something, until finally I settled on James Deen. 

How did you get into the adult industry?
I wanted to do porn for as long as I could remember. When I turned 16, I realised that I had no idea how I was going to get involved, I just knew it was what I wanted to do. For some reason, I figured if I went to parties in Hollywood, I would meet someone who could help me out. I started doing just that and, sure enough, when I was 17, I met a girl who knew someone who knew someone who gave me a shot in a movie.

How important is cock size in becoming a porn star?
Not very. A giant cock is impressive and all and will get you more attention, but every producer I know will take a hard, average-sized dick over a floppy, huge penis.

What’s the most difficult or annoying part about being a dude in the industry?
Nothing. My job is pretty amazing in every way.

Who are your favourite adult actresses to work with?
I couldn’t choose favourites. There are so many great performers who I adore.

What have you learned about women during your career?
I don’t really feel like adult films necessarily teach guys anything more about women than any other profession.

What’s the funniest thing that’s ever happened to you on set?
I never know how to answer this. Funny is subjective and there are a lot of goofy things that happen on set. Usually the most hilarious stuff is just people telling jokes.

Is it tough to keep it up and blow your load on command?
Not really. Kind of just what I do.

You’re cast alongside Lindsay Lohan in upcoming feature film The Canyons. How did you land the part and would you like to do more mainstream acting?
Bret Easton Ellis was writing this movie and started to post on Twitter that I was his ideal casting for it. We emailed back and forth, then I went through the process of meeting the producer and director and eventually it was decided that I would be best for the role. I had a great time on the mainstream set. I used to say I never wanted to do any acting and I still don’t see huge mainstream things in my future, but I’m not as opposed to it as I was before.

What’s your advice to guys who want to get into the business?
Do it! Porno is awesome.

What’s the biggest misconception about being a male porn star?
Fluffers. They do not exist.

How would you like to be remembered as a performer?
I would like to be remembered as a nice dude who was fun to be around. That applies to performing and just life in general.

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Interview: Ben Macintyre on double agents in World War II

by Suzan Ryan on Mar.15, 2013, under Girl Galleries


British author, historian and The Times columnist Ben Macintyre reveals the true (declassified) story of Allied double agents crucial to winning World War II

How did you discover this fantastic story?
These stories would be impossible to tell without the release of the archives by MI5 [British domestic intelligence]. There’s been an incredible sea change in British secrecy in the past 10 years and they have now released pretty much all the wartime material. It’s the most wonderfully rich stuff because it’s written by people who never expected it to be released. So it’s honest in a way that most government files are not.

With such a wealth of available declassified information, how many fascinating stories did you have to leave out of your book?
Quite a lot, to be honest. This stuff is so rich that any single one of these double agents could have made a book on their own, and perhaps that’s a way of approaching it in the future, but I loved the way they combined together. But there’s a stunning amount of detail and these files keep on being released. They haven’t released all the wartime stuff yet, so there’s more to come.

Was the Abwehr [German intelligence] amateurish compared with MI5?
In some ways, they were amateurish. In some ways, you could argue they were almost too professional. I mean, the amateurs were really on the British side; kind of strange, oddball agents who had never been trained and were just using their instincts. On the German side, it was much more rigid and much more unimaginative.

When presented with the misinformation, they just swallowed it. That was partly to do with the way that the German system was structured: it was a very rigid, very straightforward system that couldn’t deal with deception on this massive scale. That said, the Germans were quite capable of attempting their own deception operations, and did so fairly often.

The various double agents in MI5 seemed one beer shy of a six pack… That’s putting it mildly. Some of them were borderline nuts, to be absolutely honest. Many of these people would not have found employment in any other role in any other circumstance. They were gamblers, misfits and crooks, in some cases, and that’s the kind of characters that are attracted to this strange, complicated world.

They are not normal people, but this is not a normal aspect of war we’re talking about. In a way, it was the inspiration of Churchill’s spies and spymasters to employ people who were not of conventional stamp, because that’s how you get into the mind of the enemy. In a way, his genius was to choose these extraordinary oddballs and misfits: bisexual Peruvian playgirls and gamblers, and so on.

How was MI5 able to trust these oddball double agents during the war?
MI5 had one huge advantage, which the agents themselves were completely unaware of: they could track whether the agents were still trusted in Berlin via the Bletchley Park Enigma files. Without that, it would have been virtually impossible to do and I strongly doubt they would have taken such a huge gamble if they hadn’t been able to check because the stakes were impossibly high. If they got it wrong and they were rumbled, the Germans would have realised that instead of Calais being a decoy D-Day target, the real attack was coming at Normandy, and the effect of that could have been absolutely disastrous.

There are a lot of quotes about agent attractiveness in the book. Why was attractiveness so important to these people?
These are stories about psychology and personality, much more than they are about guns, wars, battles and military manoeuvres, so the interpersonal relationships between people are what define this particular world. It’s all about trust and loyalty and whether you get on or like someone, or whether you don’t. So that element of attractiveness is absolutely critical, because you’ve got to be able to seduce the other side, whether it’s by wireless or letter or in person. It is a game of sorts, of seduction and flirtation, and, therefore, attractiveness is vital.

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5 Minutes With… Tom Carroll & Ross Clarke-Jones

by Suzan Ryan on Mar.13, 2013, under Interviews, The Magazine

Tom Carroll is a super-fit, pocket-sized 50-year-old hero of Australian surfing. He is also half-crazy, which is par for the course as a two-times World Champion who continues to attack the planet’s largest waves.

Ross Clarke-Jones, 46, is 100 percent nuts; the leader of Australian big-wave surfing for 20 years, his craziness is so dyed-in-the-wool that unshorn sheep go insane when he puts on a jumper. Together, the pair make big-wave surfing documentaries that drop more jaws than an earthquake in a graveyard. Their moniker: The Storm Surfers.

Their hit movie, Storm Surfers 3D, was selected for the 2012 Toronto International Film Festival—the largest film festival in North America and second only to Cannes; an unprecedented, deserved achievement for a surf doco. It sees Carroll and RCJ pitting themselves against multi-storey waves across the world. While taunting each other. And facing their—and especially Tom’s—mortality.

 

Tom, you almost killed Ross with a jet ski during filming in Western Australia. Tell us about it.
Ross Clarke-Jones:
Ha! That was just an accident, really. That was a big wave, the first good one we had seen. That place was wild. It’s out off the continental shelf. Real deep water.
Tom Carroll:
I towed Ross onto a wave with the jet ski, and I was commentating: “This looks like a good one, it’s real smooth…” And I’m talking, but then as I go over the back of the wave, I’m still looking down at him—and then this big lump of whitewater hits me…
RCJ: And pushes him back over the ledge…
TC: …on a 600kg jet ski! And I’m 75kg, so I’ve got no say. And it just goes, BOOM! I can see it now, clearly, how slow it was going—in slow-mo, I’m going over. It felt like ages that I was at the top of the wave going, “Oh, no!” because I couldn’t punch the throttle—because that would have squirted me across the face and down in front of it, into the trough. So I just watched Ross. And instead of him going past me, he actually turned back underneath me! I saw him and I was yelling, “Argh! Ross!”
RCJ: I can’t believe it. I went straight underneath him. I was just ahead of the wave, where the lip landed.
TC: It was real close. There was a camera set up on the front of his board, angled back, and you can see me going over the falls on the back of it.

Wow. Over the falls on a 20-foot wave… on a jet ski. What was that like?
TC: I got rearranged. Every bone, all my spine, everything. Even when you try to pull your limbs in close to your body, you still get torn and ripped apart.
RCJ: He came up all angry! Haha! I’ve never seen him so angry.
TC: I was totally out of breath. I was down there for a while, too.

Do you still get scared?
RCJ: I really don’t like being scared. I don’t get scared.

Ross, the worst wipeout of your life came the day before you were booked in for surgery on a neck injury. True?
RCJ: Yeah! The doctor said, “Whatever you do, don’t traumatise the area around your neck before the operation.” I couldn’t have done it more! A huge wave, a three-foot thick lip landed right on my neck. The doctor looked at my neck and he said it was like I’d been in six car accidents. Because when you whiplash really hard, your bone snaps and then it grows a little bit.
TC: We’ve both had spinal issues. 

Tom, didn’t your surfboard once ram you up the arse?
TC: Yeah… just north of there. I got a double date. It was in Japan in really small surf, when I was practicing like crazy before a World Tour event in 1987, on an island an eight-hour ferry ride from Tokyo. My board’s nose hit the sand and I landed on the tail with my arse. The bottom sheet of fibreglass broke away and went straight through my wetsuit and into the flesh. Oh, mate, I was crying so hard my eyes hurt. And, ah, I had some… complications after it. I was almost colostomy bag material. Another time I ruptured my stomach against my spine.

You should wear body armour.
TC: I’ve been known to wear a helmet. I split my helmet at Teahupoo, in Tahiti. My board went through it and tore into my ear, busted my eardrum, and I almost got knocked out. When you do that, you lose your balance. It sucks.
RCJ: It sucks. I did that at Reunion [Island]. I was dead-set paddling around in circles.
TC: It’s like you’ve had a whole bottle of scotch. I also had a really bad one when I was 16. I’m still suffering from that. It pulled my knee out of place up at big Umina Point. I tried to pull out at the last minute because it wasn’t tubing and this thing just landed on me, tore my whole right knee out of joint.

You’re 45 and 50, respectively. Does anyone tell either of you to maybe slow down a bit?
RCJ: I’m still frothing. I’m like a grommet.
TC: If you’re going to do something, give it all you’ve got. Fuck it. Do it with everything you’ve got.

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Interview: Chewie Chan

by Suzan Ryan on Mar.05, 2013, under Interviews, The Magazine

What are some of the bigger-name comics that you have worked on?
I’ve done Iron Man for Marvel, Phantom, Cthulhu Tales and some smaller licensed characters. There’s a character I really like working with called Buckaroo Banzai, which was adapted from a movie from the ’80s.

The movie was a cult hit, but a disaster at the box office. Basically, there were too many ideas rolled into one. Buckaroo [played by Peter Weller] was a samurai and a Nobel Prize-winning rock star who carries a six-shooter; he’s also a scientist and he has this super-fast car that can travel throughout dimensions.

Do complicated ideas work more effectively in graphic novels than on film?
Comics are a long-form medium, like a HBO TV series; you have more time to let your ideas breathe. Film has only around 90 minutes to tell a story, so it was just too many ideas for Buckaroo Banzai.

Adapting that idea into a comic, though, you’d think, “Maybe I need a few more characters to have B storylines or even C storylines so we can mix and match it up again and have variety.” Slow issues, high-octane issues and stuff like that.

Those are all American titles. Do you have to work in the US to be successful?
Certainly, all of the big guns are there at the moment, but it’s not the rule. You’d go to the States for superhero-type characters. Everything else has a bigger market in Europe and Japan. Look at Shaun Tan: he did The Arrival, which is a wordless graphic novel and children’s book, but it won all the awards [see: thearrival.com.au].

What about Australia? Does the local market have a particular feel for comics?

No. We’re very much an offshoot of the American market, at the moment.

So Australia’s all about superheroes, too?
Australia is still trying to find an identity, which we’re slowly getting to. Local publisher Allen & Unwin is producing a line of graphic novels, which have been quite successful. They’ve adapted The Great Gatsby into a graphic novel, and Hamlet, which won the CBCA Picture Book of the Year last year. Superheroes don’t really work with us anymore, so we’re trying to do all sorts of different things.

How does a graphic-novel artist make a living in Australia when the industry is based primarily overseas?
To be honest, these days with technology and the Internet, you can work from anywhere. I have overseas clients, but it’s not really an issue working from Australia once you get to a certain level.

It’s hard to break into graphic novels but, fortunately, I’m past that level so now I get clients from anywhere in the world. We can work and talk ‘face to face’ through Skype. You don’t have to describe anything because they can actually see it.

Are graphic novels still a relevant industry?
I think they are, particularly because they’re one of the cheapest ways of producing an idea. And by ‘cheap’, I don’t mean nasty; it’s the easiest way [to publish] with the least amount of obstacles to get [your product] out there.

Books are more straightforward in that they’re text-only, but there’s a sea of competition if you want to get your work seen. At this stage, if you can take into account all of the factors, graphic novels are the easiest way of getting your idea into the public domain because you put it out there visually [and] it penetrates straight away.

People will gravitate towards what they like, and they can make that judgment call within a few seconds of looking at a graphic novel, since they can elevate the [illlustrative] signal over the noise very quickly.

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INTERVIEW: April Flores, plus-size porn star

by Suzan Ryan on Aug.23, 2012, under Interviews

How did you get into the adult-movie business?
In late 2005, my husband, photographer Carlos Batts, had photographed adult superstar Belladonna. She saw my pictures and she said that she liked my look. I met with her and she asked me to be in one of her movies and to do a scene with her. I was so intrigued because I had only seen a handful of adult movies and had never imagined being in one.What was the experience like?
It was my first time having sex with a woman, so I wasn’t sure what to do, but I jumped right in and went down on her. Since I was so inexperienced, she took the lead and I just tried to do a good job. Before I knew it, they were telling me we were finished and I was a bit disappointed because I didn’t get the chance to try all of the moves I had planned in my head! 

What do you enjoy most about workingin the adult industry?
When I started out, I identified as a straight woman. Working with both men and women with a variety of sexual identities has taught me that my own sexuality is fluid. My favourite thing is [that] I have the opportunity to represent a non-stereotypical body type in porn. One of my main goals with my work is to use my body to make the statement that fat women can be desirable and sexy.

What’s the response been to your work?
I am very blessed because 99.99 percent of the feedback I get is positive. I have received many emails from women and men telling me how seeing my work has helped them feel better about themselves and made them realise they can be just as sexy as someone who is a much thinner body type.

How difficult is it for curvier women to find self-confidence?
It’s very hard for women of all sizes to feel confident because from the time we are girls we are bombarded daily with messages and images that can make us feel that we can never be too thin, too young, too successful… It makes it that much harder for a plus-size woman to feel good about herself because you rarely see plus-size women represented in a completely positive way. 

How did you personally find confidence as a plus-size model?
For me, confidence came once I stopped basing my happiness on my weight. I idealised being thin. In my early 20s, I lost a huge amount of weight and suddenly I was a thin person, but I was a thin person who was still unhappy. I realised that happiness is a choice and my enjoyment of life was a decision I had to make in my head not based on my weight or my clothing size.

You have your own sex toy: the CyberSkin Voluptuous Vagina…
I was a little hungover that day and was relieved when they told me all I’d have to do was lay down! There were three people working on the moulding and they worked quickly and efficiently. They have developed a top-secret method that involves layers of goop and other materials that harden and become the negative of what they mould: in this case, my pussy.

SEE MORE OF APRIL FLORES at: http://fattyd.com/

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Interview: Australian porn star Vince Velvet

by Suzan Ryan on Jun.06, 2012, under Interviews, The Magazine

How did you get into porn?
Believe it or not, it was my wife’s idea. I had been working as an escort while in the British Army and not long after I left, [my wife and I] were at a party. We were chatting to this girl, who turned out to be [porn star] Paige Ashley, and she was telling us all about her work. When we left, my wife told me I should get into the industry. She basically hassled me until I did. 

How do you get on set?
It was a rocky road in the beginning. A shoot that had been set up for me and Paige fell through, so I called an agency that was looking for new male studs. They didn’t make it easy! I had to fork out the money for a motel room and meet this woman and her husband there, who brought the camera equipment. I’d driven three hours straight from my day job and was exhausted.

My head was completely in the wrong space and I couldn’t perform properly. By the time I got home, I was ready to give up but [my wife] would not let it go. She was like a dog with a bone!
Not long after that, I was lucky enough to get an audition with Anna Span, the UK’s best (and sole female) porn director. It went really well and I was invited back for the rest of the shoot.

It was Anna who nominated me for Best Male Newcomer at the 2007 UK Adult Film and TV Awards, which I won. She also got me signed up to Elle Brook’s Blue Diamond Agency, and from there the work poured in.

I was considering working in the industry full-time when my visa was approved and my wife and I moved to Australia.

Australia’s porn industry is limited. How did you find work here?
It wasn’t easy. One guy guaranteed me that he could get me work, but I soon realised he wasn’t what he’d promised at all. Basically, he wanted me to split the cost of hiring a group of hookers, then film me having sex with them, then give me a percentage of the profits. That’s just not how it works. 

I spent the next year contacting every company that produced, distributed and sold porn. I went to sex shops and SEXPO, and just as I was about to give up, I logged on to the Eros website (www.eros.org.au) and there was a link for producers and up came Adult Voyeur (www.adultvoyeur.com.au)—a completely Australian porn production company.

I spoke to them on a Wednesday, and by Friday I was doing a test shoot. I thought it had gone terribly! It was outside at 3:00am in the middle of June. It was freezing and I had a cold wind blowing up my arse. I was up and down like a yo-yo but, considering the conditions, they were impressed and took me on. I’ve been in almost every scene since.

 

Where do you want porn to take you?
At the moment, I’m just along for the ride and enjoying where it’s taking me, but I would like to be involved in porn in some way for the rest of my life, maybe as a producer or opening an agency. I really want to see the Australian porn industry succeed and for Adult Voyeur to become as big and as successful as I truly believe it can be.

I would be very proud if I could say that I came to Australia when there was virtually no porn industry at all and I helped create it.

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Interview: Arthur Veno the bikie broker

by Suzan Ryan on Nov.03, 2011, under Interviews

You released The Brotherhoods: Inside the Outlaw Motorcycle Clubs in 2003 and quickly sold more than 50,000 copies in Australia. Did you receive any criticism from bikie clubs or the police when the book came out?
Yeah, from both of them. I’ve been called a mongrel and a bikie apologist. I’ve been called a whole bunch of things by South Australia’s State Government, and the bikies and coppers blasted the living buggery out of me. So I figure I’ve got to be doing something right if I’m in the middle of them. That said, I still maintain friendships with members of different bikie clubs, and also with the police. All I want is to get rid of the criminals in the clubs and get back to the riding. 

What are you working on at the moment?
I’m actually running a course on policing the organised crime aspects of the Australian bikie club for the Federal Police Executive College. A few police station masters from each state come along, and I try to teach them how to mediate between the police and the bikies because the traditional ‘hammer’ approach is just not working.

How do you remain objective? It must be difficult, considering that you have friends on both sides…
If I’m hanging out with a bikie club for a while, each night I call Julie van den Eynde, my field-note archivist, and debrief her thoroughly as to what happened, so the notes are as clean as they can be. I then get Julie to work me back through it all and take out any bias. It’s a scientific process—an insider/outsider technique.

Are there differences between US and Australian bikie clubs?
There is no [crime] problem here, compared with America. In a lot of ways, we have a pretty laidback, peaceful society, and our bikies tend to be that way, too. There is a lot more violence in the US gangs, and the customs are different. When the first Australian Banditos went over in around 1983 to meet up with the Banditos in America, they were shocked. They’d walk around a Bandito home and be offered the host’s wife or partner, and this shocked them because that custom did not take off here.

Is there an official mediator between bikie clubs in Australia?
The Motorcycle Council of Queensland tries to keep the Queensland clubs in line, and is by far the best tribunal in Australia. They allow two members from each club to come in and air their grievances, in an attempt to stop turf wars.
What is the major difference between a gang and a club?
Club is the preferred term. Bikies usually see ‘gang’ as a derogatory police term. You are only seen as a legitimate club when you have formed a group with absolutely no criminals in it, and you are operating at a level that is respectable within society.

Has there been a rise in clubs and members over recent years?
Absolutely. There are more and more clubs springing up all the time. 

How does one go about starting a bikie chapter in Australia?
There’s a hierarchy and a protocol that must be followed to get a club officially accepted in Australia. You need at least six members, three in smaller rural areas, and you have to get approval from the mother club, usually in the United States.
Why do you think that bikie clubs are seen in such a negative light?
Because some of the members in the clubs are criminals. However, what needs to be known is that bikie clubs are not criminal entities—some just have a few bad eggs in them. This is why other clubs are getting angry. There has been a drop in the core values of outlaw motorcycle clubs, and this is what we are attempting to wipe out for good.

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Interview: Jonathan Karamalikis, Aussie poker star

by Suzan Ryan on Sep.22, 2011, under Columns, Interviews

IN 2009 I was fortunate to captain the Australian team in the first-ever World Team Challenge at the Asian Poker Tour (APT) in Macau, China.  

Needing to form a good, well-balanced squad, I went on the hunt for a young internet gun, and all roads led to a quietly spoken guy from Adelaide who was making more money than most CEOs playing poker online.

I found it odd that shy and retiring Jonathan Karamalikis was better known as “Monster Dong” on the web, but he was certainly making his mark.

Last year, Karamalikis joined a select group of Australian pros when he was sponsored by online gaming giant Full Tilt Poker, and he immediately repaid their faith in him by winning the PokerStars Asian Pacific Poker Tour (APPT) Grand Final in Sydney in December.

Not only did the victory catapult  Jonathan into the top echelon of Australian poker, it also saw him take home just under half a million dollars in prize money. I had a chat with the Dong at the recent Crown Aussie Millions tournament in Melbourne…

Okay, Jonathan, why “Monster Dong”?

Haha! It’s always the first question. Obviously, I had a lack of confidence when I invented the name. I made “Monster Dong” my online handle to make myself feel better about my adolescent issues, and to try and convince everyone that I actually have a big dong.

When did you start playing poker?

My mate taught me how to play when I was 16. That same night, I created an account at a play-money website and played endlessly. It took me about six months to learn the basics, and from there I’ve never looked back.

Winning the APPT Final is your greatest achievement so far. What was your highest poker achievement before that? This probably sounds pretty stupid, but winning my first Aussie Millions ring gave me the happiest moment in my poker career, even though the APPT was worth more money. There’s just nothing like the feeling of your first major win.  

What are the most obvious differences between playing online and playing live tournament poker?

Being able to see who you’re playing against live is a huge advantage. I can usually work out what kind of people [my opponents] are in the first 20 minutes. Online, there’s a lot more re-raising and aggressive play. Live play is more focused on post-flop action.

Outside of poker, what else do you enjoy doing?

I spend most of my time hanging out with my mates, watching basketball and going to the gym, when I have the time to get into a routine. I also love travelling and seeing new places. I spend four to five months of the year on the road.

Where to next, Mr Dong?

I want to do Europe sometime this year, go play some tournaments on the EPT [European Poker Tour] circuit and perhaps visit London for World Series Europe. And obviously I’ll be going to Las Vegas for the World Series—that’s a “can’t miss”; however, I might just go for the Main Event this year because my mates and I never actually play poker when we’re there…

Do you see poker as a career option, or just a hobby?

I consider poker to be both a career and a hobby. I see it as a competitive sport because you’re always looking to improve. I’m more than happy to keep doing this for now.

 

Jonathan
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